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| Difference Topic S0JeanLewis1090612620 (r1.2 - 24 Jul 2004 - CarlaScaletti) |
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| Difference Topic S0JeanLewis1090612620 (r1.1 - 23 Jul 2004 - JeanLewis) |
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%META:TOPICINFO{author="JeanLewis" date="1090613293" format="1.0" version="1.1"}%
%META:TOPICPARENT{name="KymaInSchool"}%
Kyoto City University of Arts (KCUA) Laboratory for Psychology, Hearing, Acoustics, & Music (PHAM), Faculty of Music, 13-6 Kutsukake-cho, Oe, Nishikyo-ku, Kyoto 610-1197 Contact: Minoru Tsuzaki Email: minoru.tsuzaki@kcua.ac.jp • Tel: +81-75-334-2264 • Fax: +81-75-334-2264 http://www.kcua.ac.jp/ Degrees available: Kyma used in: research We are using Kyma mainly for psychoacoustical experiments, which can be related with music, but may not necessarily. People who are intrested in rather basic auditory processes, such as, auditory filters, masking, tonal quality, time perception, stream segregation, and so on may spend happy and fruitful days in our labs. On the other hand, people who want to create real and/or innovative music, or people who like to argue about music in rather abstract manner could be frustrated in our labs. Additional Information: %META:FORM{name="KymaInSchoolTemplateForm"}% %META:FIELD{name="Institution" title="Institution" value="Kyoto City University of Arts (KCUA)"}% %META:FIELD{name="Address" title="Address" value="Laboratory for Psychology, Hearing, Acoustics, & Music (PHAM),%_N_%Faculty of Music,%_N_%13-6 Kutsukake-cho, Oe, Nishikyo-ku,%_N_%Kyoto 610-1197"}% %META:FIELD{name="Country" title="Country" value="Japan"}% %META:FIELD{name="Person" title="Person" value="User.MinoruTsuzaki"}% %META:FIELD{name="Email" title="Email" value="minoru.tsuzaki@kcua.ac.jp"}% %META:FIELD{name="Telephone" title="Telephone" value="+81-75-334-2264"}% %META:FIELD{name="Fax" title="Fax" value="+81-75-334-2264"}% %META:FIELD{name="Degrees" title="Degrees" value=""}% %META:FIELD{name="Description" title="Description" value="We are using Kyma mainly for psychoacoustical experiments, which can be related with music, but may not necessarily. People who are intrested in rather basic auditory processes, such as, auditory filters, masking, tonal quality, time perception, stream segregation, and so on may spend happy and fruitful days in our labs. On the other hand, people who want to create real and/or innovative music, or people who like to argue about music in rather abstract manner could be frustrated in our labs."}% %META:FIELD{name="Use" title="Use" value="research"}% %META:FIELD{name="Link" title="Link" value="http://"}% |