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  <title>The Eighth Nerve</title>
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  <description>News of live performances, films, albums, computer games, sound installations and other activities of people using the Kyma sound design workstation.</description>
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  <dc:rights>Copyright 2012, Symbolic Sound Corporation.</dc:rights>
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<image rdf:about="http://www.symbolicsound.com/Images/logo-eighth2.gif">
  <title>The Eighth Nerve</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome</link>
  <url>http://www.symbolicsound.com/Images/logo-eighth2.gif</url>
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<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20111014CristianVogel">
  <title>Kyma Worm Hole , Geneva</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20111014CristianVogel</link>
  <description> 14 Oct 2011, Geneva -- An informal meetup of Kyma users and interested individuals in Geneva. 
Will form regularly, hopefully once a month. 
Drop an email to station55 
at
no-future.com if you would like to join us! </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20110723RobertJarvis">
  <title>STREETWAVES</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20110723RobertJarvis</link>
  <description> 23-31 Jul 2011, Sittingbourne, Kent -- A new work by Robert Jarvis for Sittingbourne High Street, in Kent.  Using a recent advance in music technology that allows shop windows to be used as audio sources capable of playing quiet sounds, the street will be transformed into a multi-channel sound installation for eight days at the end of July.

The sounds used in the installation represent the various traders along the street and to this end Robert has created a series of sonic vignettes drawn from sounds recorded in the various shops in collaboration with the retailers.  As the installation plays through the daytime and early evening these small compositions will fade in and out from 26 resonating shop windows along the street surprising the passers-by and encouraging them to make new connections with their surroundings.... </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20110702RobertJarvis">
  <title>UNwhitSTABLE</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20110702RobertJarvis</link>
  <description> 02 Jul 2011, Whitstable -- A day of improvised music and art featuring Aleks Kolkowski, Mat Manieri, Liam Noble, Evan Parker, Mark Sanders, Roger Turner and Matt Wright, and a new "proposition" for trombone and Kyma by Robert Jarvis. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20110121JeanLewis">
  <title>Above and beneath the surface</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20110121JeanLewis</link>
  <description> 20-22 Jan 2011, Miami -- Film maker Theo Lipfert's Beneath the Surface (premiered in Vienna at KISS2010) has been selected for performance at SEAMUS in January 2011 in Miami.  The film, featuring processed video taken from a camera that was thrown out into the ocean and gradually washed ashore by the waves, has a live-generated sound track consisting of crisply processed watery sounds recorded by the camera and randomly-selected, processed phrases of 13 year-olds recounting their vivid and sometimes disturbing dreams (beneath the surface in more ways than one!). <p> Shifting focus from beneath the surface to above the surface and on the rocks in San Francisco Bay, composer Brian Belet's 8-channel Sea Lions Mix has also been selected for performance SEAMUS 2011.  Based on the processed cries of sea lions mixed with the voices of Belet's family, Sea Lions Mix is timbrally rich and sometimes comical. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20110118JeanLewis">
  <title>Littig at SOB's</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20110118JeanLewis</link>
  <description> 18 Jan 2011, New  York, NY -- While studying at NYU, John Littig worked days as a research assistant in the brain imaging department at the New York State Psychiatric Institute while spending his evenings playing drums in jazz clubs from Greenwich Village to Harlem, often returning home after sunrise.  Both influences are reflected in his latest work in which Kyma is used for creating atmospheric intros to sultry Brazilian-style vocals, rock, soul and R&amp;B tunes.  Kyma can be heard on the intro to Tomorrow Never Knows and to Inside All Around (follow the Music link). John Littig will be playing at SOB's (Sounds of Brazil) in New York on Tuesday, Jan. 18th with Onaje Allan Gumbs on keyboards, Paul Hemmings on guitar, and choreography and performance by Hettie Barnhill from the Broadway smash hit Fela. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101213JeanLewis">
  <title>Live at the Ankerbrotfabrik Wien</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101213JeanLewis</link>
  <description> 13 Dec 2010, Vienna -- On December 13 2010, Patrik Lechner performed live with Kyma and Jitter at the Ankerbrotfabrik performance space located in a former bread factory in the 10th district of Vienna.  Here's a rehearsal for the live set of Side Draft and a photo from the concert.  Lechner will be performing in Dubai in early 2011 (more details soon). </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101211JeanLewis">
  <title>Network traffic</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101211JeanLewis</link>
  <description> 11 Dec 2010, New  York -- Listen to excerpts from Micah Frank's sonic mapping of taxi traffic density at New York City intersections on his website.  To read more about how Frank uses Max to gather and process data and send it to Kyma to control synthesis parameters, read his article entitled Junction: Taxi Cabs Generate a Soundtrack in Real Time. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101210JeanLewis">
  <title>Uma Ciberviagem</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101210JeanLewis</link>
  <description> 10 Dec 2010, Lisbon -- João Carrilho (aka Jonas Runa) performed live with jazz drummer Eddie Prévost of AMM on December 10, 2010 at Culturgest in Lisbon as part of Zul Zelub, Carrilho's new project with partner pianist/musicologist Jorge Lima Barreto.  Carrilho, currently completing the very first PhD in electronic music in Portugal, used Kyma (aka 'kima x') as part of the trio's radical conceptual approach, described as a 'cyber journey'. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101203JeanLewis">
  <title>KISS2010 Instant Replay</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101203JeanLewis</link>
  <description> 03 Dec 2010, Vienna -- Even if you couldn't make it to Vienna this year, you can still check out some of the talks, concerts, and presentations of KISS2010 through videos, sound recordings and photos of the Kyma International Sound Symposium. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101124JeanLewis">
  <title>Finding Neïmo</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#C20101124JeanLewis</link>
  <description> 24 Nov 2010, Paris -- Camille Troillard's band Neïmo has been performing live with Kyma recently, for example on November 24, 2010 at La Flèche d'Or in Paris. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20110911OtherMaxUrban">
  <title>Threnody to the Victims of 911</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20110911OtherMaxUrban</link>
  <description> 11 Sep 2011 -- Long time Kyma user Max Urban has just released “Threnody to the Victims of 911” as a digital download. Max ran his guitar signal through the KYMA frequency tracker in order to trigger Pizzicato and Col Legno string samples throughout the six minute composition. The contrast of the raucous guitar tone with the random accompaniment of the string section gives the piece an eerie quality. Available now for download on iTunes. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101216AlbumJeanLewis">
  <title>Dream machine</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101216AlbumJeanLewis</link>
  <description> 16 Dec 2010 -- "Bring your 'dream machine'," Andy Moor is reported to have nudged Yannis Kyriakides, lest he should decide to get lazy about bringing extra luggage along to their recent live improvisation gig in Florence, Rebetika, at Complesso Le Murate.  Moor, an electric guitarist who notoriously eschews all manner of FX pedals, nonetheless loves the sound of Kyma, as you can hear on a new CD Folia produced by the duo. Kyriakides also used Kyma on two of the tracks of his new electro-acoustic chamber music CD, Antichamber. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101207GameJeanLewis">
  <title>Cataclysmic</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101207GameJeanLewis</link>
  <description> 07 Dec 2010 -- Mike Johnson made extensive use of Kyma in his sound design work for Blizzard Entertainment's latest World of WarCraft expansion, Cataclysm as well as on another release earlier this year: Starcraft II. For Cataclysm, Johnson used Kyma to create hybrid vocalizations for several of the new creatures that now populate the world of Azeroth.  Creatures with names such as Rock Demon, Fire Dragon, Slime Creature, Rock Worm, Stone Golem and Wood Creature were created by taking various human and animal vocalizations and warping them with fire, rock, and other elemental forces to visceral, terrifyingly effect. According to Johnson, "I couldn't have done it without my Kyma system." </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101130FilmJeanLewis">
  <title>The Acceptance</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101130FilmJeanLewis</link>
  <description> 30 Nov 2010 -- Certain unforeseen events can almost literally befall us, unexpectedly and violently tearing into the web of our interconnections and relationships.  In Yogesh Khubchandani's new film, The Acceptance, one such event has disrupted the existence of Elli (compellingly played by Alicia Lobo) to its very core.  Khubchandani's poetic, spell-binding film uses images and sounds to create an urgent sense of mystery as he traces her inner journey from near despair to a calm acceptance. Khubchandani masterfully recreates a seamless interleaving of the inner imagination and outer events that constitute Elli's flow of experience.  Intense emotion is experienced as sudden silence and a sense of time slowing almost to stop as the character focuses full attention on the anger or fear or frustration and the rest of the world disappears for that stretched-out moment of time. Several threads weave themselves throughout the film: the restorative power of nature, thanking God for what we do NOT have, vegetarianism as identity, the relationships between mothers and daughters (the male characters rarely appear on screen). <p> Khubchandani also did the sound design for the film, using the sounds of birds, wind and water contrasted with the rattling drones of machines to underscore his themes.  Like the images, the sound slips easily back and forth between realism and the logic of dreams.  Kyma played such a large role in this transformation, it even gets a credit at the end of the film! </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101123WebsiteJeanLewis">
  <title>Miller Blog</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101123WebsiteJeanLewis</link>
  <description> 23 Nov 2010 -- Scott Miller is an Artist in Residence for Indaba Music, writing a blog each week on improvisation, collaboration and interactive electroacoustic music.  Indaba Music is an online music community with half a million users that features a web-based DAW called Mantis where you can record, edit, mix, and collaborate with other members.  Scott invites you to participate in the blog, especially if you would like to comment and help generate ideas and topics for him to address in future writings. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101118WebsiteJeanLewis">
  <title>Tweaky Sound Sharing</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101118WebsiteJeanLewis</link>
  <description> 18 Nov 2010 -- Charlie Norton has been re-organizing the tweaky*share page to make it easier to browse and download patches from the Kyma community! Check out the new arrangement at the link here. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101114WebsiteJeanLewis">
  <title>Modal Matteo</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101114WebsiteJeanLewis</link>
  <description> 14 Nov 2010 -- Matteo Milani has created a set of Kyma studies, each coaxing an amazing range of timbres from a single synthesis algorithm; you can listen to them on SoundCloud. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101113InstallationJeanLewis">
  <title>On Varosha</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101113InstallationJeanLewis</link>
  <description> 13 Nov 2010 -- On Varosha, a new multimedia work premiered on November 13, 2010, Yannis Kyriakides used Kyma for sound processing, morphing, stretching, and granulation. The material is derived from an interactive installation that used live video to track the XY position of people entering the installation and used that information to control the scrub-point of the granulation. The sensation was that of walking through frozen voices and fragments of 1970's Turkish and Greek pop music, creating a kind of topography of different voices mapped to the space. If you would walk in one direction at a particular speed you might hear the voice at its original speed and direction; if you would stop at any point then you would hear a frozen moment of the voice. Kyriakides describes it as "a simple concept but with powerful results."  He then created a 'composed' version of the installation using a voice to replace the body. In this version, the voice is a 'tour guide' who leads the listener through the frozen sounds of the abandoned holiday resort of Varosha. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101022SoftwareJeanLewis">
  <title>Kyma Control: the Swiss Army Knife of Controllers</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101022SoftwareJeanLewis</link>
  <description> 22 Oct 2010 -- Symbolic Sound's Kyma Control for the iPad bundles four of the most popular Kyma controller-types into one, wireless multi-touch package that includes: a VCS, a pen/tablet controller, standard and Tonnetz keyboards, and accelerometers plus compass heading. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101019SoftwareJeanLewis">
  <title>More Kyma Connectivity from Delora</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#O20101019SoftwareJeanLewis</link>
  <description> 19 Oct 2010 -- Delora Software is making it easy to connect Kyma to iPads and iPhone/iPods.  They've recently announced two new products: CapyLink (which makes it possible for Capybara owners to connect to Delora's vKi and vKiP MotorMix emulations for the iPhone and iPad), and PacaConnect (which turns the built-in Airport on your Macintosh into an ad hoc local wireless network so you can use your iPad with your Pacarana without need for an additional wireless router). </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20101111JeanLewis">
  <title>35 Inventions that will change our lives (Des inventions qui vont changer nos vies)</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20101111JeanLewis</link>
  <description> 11 Nov 2010 -- Kyma was identified in the November 11 2010 issue of the Montréal newspaper L'Actualité as one of 35 inventions that are going to change our lives.  The associated web content for the article focuses on the concept of live control, featuring a video of Kyma controlled by the Nintendo Wiimote (via Osculator). According to L'Actualité correspondent Véronique Robert, "Kyma fans adore this type of complex computer that can create new sounds as well as reproducing a complete orchestra.  For a composer, it's like playing God"(!) </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20090720JeanLewis">
  <title>Brain Explosions</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20090720JeanLewis</link>
  <description> 20 Jul 2009 -- Kyma/Pacarana is reviewed in the July 2009 issue of Future Music.  A few of the more memorable quotes include: <p> ...everything Kyma-X can do will make your brain explode in a very messy but not necessarily unpleasant kind of a way. <p> ...it's not so much a soft synth, more of an audio construction kit, like Reaktor or SynthEdit, but on a shop full of steroids. <p> ...You don't just get total control over audio, you get a brain-expanding education in how to think about sound. <p> ...it's a few hundred steps beyond what's possible with a synth construction kit. <p> ...Kyma has the unique ability to morph sounds, melting them into each other like plastic. This is completely different to the usual crossfade effect, because pitch, timbre and rhythm all change simultaneously. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20090715JeanLewis">
  <title>Small furry and exotic</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20090715JeanLewis</link>
  <description> 15 Jul 2009 -- Richard Wentk reviews Kyma running on the Pacarana in the May 2009 issue of Audio Media, concluding that working with Kyma makes you realize just "how unadventurous most of your experience with audio has been."  Richard notes that "most audio engineering and sound design happen within a small creative space, and Kyma blows that space wide open." </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20080710JeanLewis">
  <title>The Guitar Heroes?</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20080710JeanLewis</link>
  <description> 10 Jul 2008 -- An article on alternative music controllers published in the July 10, 2008 online version of the New York Times includes videos of Edmund Eagan and Carla Scaletti using the Continuum Fingerboard to control Kyma. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20080601JeanLewis">
  <title>OSCulator Embraces the Controller</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20080601JeanLewis</link>
  <description> 01 Jun 2008 -- On pages 11-14 of the June 2008 of the SEAMUS newsletter, Camille Troillard discusses the past, present, and future directions of his OSCulator software. </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20071101JeanLewis">
  <title>Kyma in Interface</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20071101JeanLewis</link>
  <description> 01 Nov 2007 -- Christiaan Gelauff is featured in the November 2007 of Interface Magazine in an interview with Allard Krijger exploring his CAG microsounds for Kyma.  The interview, which left the interviewer "deeply impressed by the stuff Christiaan designs on this system," also includes a CD with audio and video demos. "Christiaan loads a few files in Kyma and explains how he created the filters and what the problems are in designing the filters. Mainly it is about advanced mathematics...Then he plays the result and I am astonished by the beautiful sound of the filters he has created." </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20071013JeanLewis">
  <title>Sound and the City—The Anthology</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20071013JeanLewis</link>
  <description> 13 Oct 2007 -- Sound and The City was an innovative sound art project, conceived by the British Council and realised across China between 2005-2006. Seven leading UK sound artists—Brian Eno, David Toop, Peter Cusack, Clive Bell, Scanner, Kaffe Matthews and Robert Jarvis—were invited to create new work inspired by the civic sound environments that they found in four cities—Beijing, Shanghai, Chongqing, and Guangzhou. The artists’ experiences are documented in this book, along with essay contributions from UK and Chinese critics. <p> The project also invited the Chinese general public to describe their favourite sounds of the cities that they live in. Those descriptions, along with audio recordings, are contained within the book and accompanying CDs. Many of those favourite sounds are ambient ones, less and less frequently heard as Chinese society changes at its current ferocious pace. <p> 200 page book (English and Chinese) + 2 audio CDs, Edited by Yan Jun and Louise Gray. Published by Horizon Media in Beijing, China. <p> "Sound And The City might be termed an intimate art project. It speaks to the general public, not the selected public, instead of being proudly ahead of it’s time, it intervenes in the lives of the contemporary Chinese public; it encourages people to feel and share, rather than criticize or display miracles. The seven UK artists who made projects for Sound And The City have composed sounds in the most environmentally friendly ways. They invite us to listen again to our own cities and our lives. We have made this book because we want to share and listen with more people." – Yan Jun </description> 
</item>
<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20070402JeanLewis">
  <title>Chadabe Wins 2007 SEAMUS Award</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20070402JeanLewis</link>
  <description> 02 Apr 2007 -- Joel Chadabe was recently honored with the 2007 SEAMUS Award in recognition of his pioneering work in interactive composition and instrument design, his book Electric Sound, his advocacy for electronic music through the Electronic Music Foundation, and his work on raising awareness of environmental issues through sound art.  Composer Kurt Stallmann interviewed Chadabe for the April issue of the SEAMUS newsletter where the two of them discuss models for new musical instruments, ranging from simple triggers to complex interactive systems:  "These models suggest a fundamental questioning of what it means to compose and realize computer music. He [Chadabe] makes a clear distinction between the rendering model and the interactive model. The 'rendering' model uses technology to create an idealized performance of the composer's structured ideas. The interactive method defines a system of instrument behaviors associated with varied input from performers whereby the process of mutual engagement through performance forms the work.  In line with systems developed to support this way of composing, he mentioned the visionary developers of the Kyma/Capybara system (Scaletti and Hebel) where real-time, open-ended responsiveness to live input was an initial design goal of this integrated digital system extending back to the late 1980's." </description> 
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<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20070309JeanLewis">
  <title>Mathematics &amp; Music</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20070309JeanLewis</link>
  <description> 09 March 2007 -- Matematica e Cultura 2007, published by Springer and edited by Michele Emmer, includes two chapters on mathematics and music written by Kyma users:  Simple mapping e la dimensione estetica by Brian Evans (which addresses the connection between music, graphics, and number), and La metafora nella matematica e nel suono by Carla Scaletti (which equates the act of mathematical discovery with that of musical composition). Other topics in the book include infinity, architecture, soap bubbles, graphic novels, mathematicians and autism, front-back symmetry in pre-Incan Peruvian weaving, and many others.  An English version of the text is to be published in October 2007. The Italian version can be ordered online from Springer (or from Amazon). </description> 
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<item rdf:about="http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20070301JeanLewis">
  <title>New aesthetics and practice in experimental electronic music</title>
  <link>http://www.symbolicsound.com/cgi-bin/bin/view/Community/WebHome#P20070301JeanLewis</link>
  <description> 01 Apr 2007 -- Issue co-ordinator, Tony Myatt, is seeking articles on the work of Autechre, Taylor Deupree, Mark Fell, and others for a special issue of Organised Sound, titled "New aesthetics and practice in experimental electronic music." </description> 
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