Affiliation: Digital Media Studies, University of Denver
Country: USA
Bio: Trace Reddell is a digital media artist and theorist exploring the interactions of sound and the cosmological imagination. Over the past two years, Trace's live cinema performances and video works have screened at over thirty international venues including galleries and new media festivals in New York, London, Glasgow, Amsterdam, Berlin, Zurich, Sao Paolo, Seoul, Hong Kong, and Tehran. His net.art and audio projects have appeared regularly on the Web since 1999. Trace is Associate Professor of Digital Media Studies at the University of Denver. He founded Denver’s first digital media festival, A:D:A:P:T, in Spring 2003 at Denver’s Museum of Contemporary Art. Recent publications include articles in Leonardo Music Journal, Leonardo Electronic Almanac, the Contemporary Music Review, and the Electronic Book Review. Book chapters include “The Social Pulse of Telharmonics: Functions of Networked Sound and Interactive Webcasting” in Cybersounds: Essays on Virtual Music Culture (Peter Lang Publishing, 2006), “Cyborg Ritual and Sentic Technology in the Vortex Concerts” in The Poetics of Space: Spatial Explorations in Art, Science, Music & Technology (Sonic Acts Press, Paradiso, 2010), and “Ethnoforgery and Outsider Afrofuturism” in tobias c. van Veen’s edition, Afrofuturism: Interstellar Transmissions From Remix Culture (Wayne State University Press, forthcoming). Trace will be using Kyma for multi-channel sound for live and pre-rendered full-dome systems, including Gates Planeterium at Denver's Museum of Nature & Science and Jena, Germany's Full Dome Festival. Visit his website here: http://www.du.edu/~treddell/
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