New Morphing & Resynthesis Algorithms in Kyma X.82

Kyma X is an incredibly flexible and powerful sound design environment being used in music and post-production studios, research labs, art installations, game developers' studios, educational institutions, home studios, and live performances. A sound library with over 1000 pre-packaged examples means you can start creating amazing sounds straight out of the box. Extensive documentation, online knowledge bases and free email/phone support ensure that you'll be able to take Kyma anywhere your imagination inspires you to go! Read more...

• Produção Audio magazine 9-page cover story on KISS2011 in Porto

• Kyma Control for iPad

• Kyma International Sound Symposium 15-18 September 2011

• Kyma featured in Post magazine's "Audio Innovations"

• Pacarana: A Supercomputer for Sound

• Sound Clips & Videos

This hardware-meets-software audio construction kit is, quite simply, the Holy Grail of sound design. —Future Music

...the principle synthesizer I use is called the Kyma... I found ways of using it to specifically do WALL-E and EVE’S voices... —Ben Burtt, sound designer, Wall-e

...the sound industry's secret weapon... —Audio Media

...some may call it a sound supercomputer or a sound designer’s dream come true…The hardware component, called the Pacarana, combined with the powerful software makes Kyma a truly innovative approach to sound. —Ron DiCesare, Post Magazine

It's unbelievably deep... and it sounds incredible. —Rich Costey, producer, engineer, mixer

Kyma allowed me to modulate and morph my own voice into other sounds... It was in the ambience of the film itself, almost as if only the idea of Nemo was out there, tormenting his father. —Gary Rydstrom, sound designer, Finding Nemo

Pour un compositeur, c’est comme être Dieu. —Véronique Robert, "Des inventions qui vont changer nos vies", L'actualité, Montreal

...It's the wormhole. It's the sort of door you open, and on the other side are infinite possibilities in sound. —BT, composer, producer, performer

The wonderful thing about working with Kyma is that, like any good art form, the more you do it, the more ideas it generates. —Hamilton Sterling, sound editor, Master and Commander

Kyma is my computer system... you can basically program it to do whatever you want. —John Paul Jones, composer, performer, producer

Kyma X is a perfect example of how hardware-accelerated tools can still beat software by a wide margin. There is no software or bundle of soft tools that can come close to the power, expandability, and flexibility that Kyma offers. —Electronic Musician

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